{"id":102017,"date":"2022-05-20T09:54:30","date_gmt":"2022-05-20T06:54:30","guid":{"rendered":"https:\/\/urbeamea.ro\/albaiulia\/?p=102017"},"modified":"2022-05-23T21:01:09","modified_gmt":"2022-05-23T18:01:09","slug":"sa-vii-la-festivalul-international-de-teatru-povesti-cu-un-film-asta-inseamna-sa-fii-mafiot","status":"publish","type":"post","link":"https:\/\/urbeamea.ro\/albaiulia\/sa-vii-la-festivalul-international-de-teatru-povesti-cu-un-film-asta-inseamna-sa-fii-mafiot\/","title":{"rendered":"S\u0103 vii la Festivalul Interna\u021bional de Teatru \u201ePove\u0219ti\u201d cu un film, asta \u00eenseamn\u0103 s\u0103 fii mafiot!"},"content":{"rendered":"\n

\u0218ti\u021bi bancul cu pinguinul care intr\u0103 \u00eentr-un bar \u0219i comand\u0103 whiskey? P\u0103i dac\u0103 n-a\u021bi venit la Tom \u0219i Jerry 2.0, filmul lui Florin Piersic jr, normal c\u0103 nu-l \u0219ti\u021bi pe cel bun!<\/strong><\/p>\n\n\n\n

*L-ai sc\u0103pat asear\u0103 pe Piersic? P\u0103cat! Dar \u00eel po\u021bi prinde azi pe junior, \u00een one man show-ul Freak Show vol.2!<\/strong><\/p>\n\n\n\n

**Programul pentru m\u00e2ine, 21 mai 2022, ultima zi de Festival Interna\u021bional de Teatru \u201ePove\u0219ti\u201d la Alba Iulia<\/strong><\/p>\n\n\n\n

S\u0103 vii cu filmul la festivalul de teatru, asta \u00eenseamn\u0103 s\u0103 fii mafiot! \u0218i filmul s\u0103 fie alb negru, cu mafio\u021bi, mai exact cu hitmani! \u0218i cine s\u0103 fi f\u0103cut una at\u00e2t de bun\u0103 ca asta dac\u0103 nu Florin Piersic jr.?<\/p>\n\n\n\n

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Tom \u0219i Jerry 2.0, <\/strong>proiec\u021bia de film a Teatrului Na\u021bional \u201eRadu Stanca\u201d Sibiu, a durat asear\u0103 1h \u0219i 40 min. At\u00e2t dureaz\u0103 ea tot timpul. De ce devine durata lui interesant\u0103? Pentru c\u0103 filmarea efectiv\u0103, producerea lui, a durat DOAR 2 zile \u0219i \u00bd! \u0218i e informa\u021bie verificat\u0103, ne-a zis nou\u0103 asear\u0103, la discu\u021biile post vizionare, chiar regizorul, traduc\u0103torul \u0219i cel care a adaptat textul lui Rick Cleveland, Florin Piersic jr.<\/p>\n\n\n\n

Mai mult, el, filmul, a fost \u201ede prima dat\u0103\u201d spectacol de teatru, repetat, preg\u0103tit, ready to rumble \u0219i poc, a venit pandemia, lockdownul \u0219i toate cele. Prin urmare se cerea adaptat la o \u00eent\u00e2lnire pe nev\u0103zute cu publicul \u021bint\u0103. S\u0103-l fi jucat pe o scen\u0103 de teatru \u0219i s\u0103-l fi filmat ar fi fost o prostie, zice mastermindul proiectului. Prin urmare s-a f\u0103cut cu totul \u0219i cu totul film. O m\u00e2n\u0103 de actori (Tom \u2013 Marius Turdeanu, Jerry \u2013 Ali Deac \u0219i Ioan Paraschiv \u2013 victima de serviciu), \u00eenc\u00e2nta\u021bi de provocare, un tip care \u0219tie bine cu camera (Alexandru Condurache), \u00eenc\u0103 unul la sunet (Ovidiu P\u0103curar), mai scenograful (Tudor Prodan) \u0219i a ie\u0219it o treab\u0103 at\u00e2t de tare, c\u0103 \u00eensu\u0219i autorul textului, care nu e nici el de ici-colo: scriitor, dramaturg \u0219i monolog american, cunoscut mai ales pentru scrierea \u00een seria original\u0103 HBO Six Feet Under \u0219i The West Wing de la NBC, l-a l\u0103udat. I-a fost trimis filmul, c\u0103 a\u0219a se face c\u00e2nd adaptezi textul unui om, \u0219i le-a r\u0103spuns, \u00een scris, pe mail, c\u0103 \u00eei place, \u00eei place chiar mai tare dec\u00e2t filmul produs dup\u0103 un scenariu scris de el, asta prin 1998. Mno, ce confirmare mai fain\u0103 dec\u00e2t asta?<\/p>\n\n\n\n

Mi-a pl\u0103cut mult, cred c\u0103 \u0219i celor din sal\u0103, nu mul\u021bi, din p\u0103cate, dar m\u0103car nu a sunat niciun telefon. I-am v\u0103zut la munc\u0103 pe cei doi hitmani, Tom \u0219i Jerry, am aflat cine i-a ucis pe Kennedy \u0219i pe Elvis, cu cine era s\u0103 se m\u0103rite Marilyn Monroe, dar n-a mai fost s\u0103 fie, c\u0103ci s-a pr\u0103p\u0103dit. \u201eO incursiune cinic\u0103 \u00een lumea celor care ucid \u0219i sunt uci\u0219i \u0219i care au convingerea c\u0103 prietenia poate \u00eenvinge orice\u201d, dup\u0103 cum se arat\u0103 \u00een descrierea spectacolului. Doar c\u0103, filmului nu-i lipse\u0219te elementul surpriz\u0103, Tom \u00eei d\u0103 cu\u021bit lui Jerry, pentru ca la c\u00e2teva secunde distan\u021b\u0103 s\u0103 z\u00e2mbeasc\u0103 \u0219i el un ultim z\u00e2mbet \u00een \u021beava revolverului unui alt killer.<\/p>\n\n\n\n

\u0218i ce \u0219ans\u0103 pe capul nostru s\u0103 mai \u0219i st\u0103m de vorb\u0103 cu Florin Piersic jr. \u0219i cu Marius Turdeanu, \u00een sala Teatrului de P\u0103pu\u0219i \u201ePrichindel\u201d. Stat de vorb\u0103…mult spus, pentru c\u0103 nu am \u00eendr\u0103znit noi cine \u0219tie ce \u00eentreb\u0103ri, prin urmare n-or fo multe. Dar ne-au povestit ei despre making-of-ul filmului, chestii interesante, pe care eu le dau mai departe, c\u0103 n-or zis c\u0103-i secret. Din ce-\u0219i aminte\u0219te Tom, scuze, Marius Turdean, de\u0219i n-ar fi gre\u0219it s\u0103 accepte acest nume la c\u00e2t de impecabil a jucat, de fapt, p\u0103rea c\u0103 nici nu joac\u0103, at\u00e2t de real e totul \u00een Tom \u0219i Jerry, \u201eprimele 26 de cuvinte schimbare cu Florin Piersic jr.\u201d s-au \u00eent\u00e2mplat la Alba Iulia. S\u0103 tot fie peste 25 de ani de atunci, nu-i exclus s\u0103 se fi \u00eent\u00e2mplat cam pe c\u00e2nd Rick Cleveland, la un alt cap\u0103t de lume, scria textul care st\u0103 la baza filmului. Film pentru care a fost \u0219i un casting, pe whatsup! \u0218i ce crede\u021bi c\u0103 le-a cerut mastermindul actorilor dornici s\u0103 intre \u00een proiect? S\u0103 recite \u201eC\u0103\u021belu\u0219 cu p\u0103rul cre\u021b\u201d! \u0218i a venit \u0219i \u00eenregistrarea lui Marius Turdean, un tip la r\u00e2ndul lui cre\u021b, \u0219i a \u0219tiut Florin Piersic jr. c\u0103 el este, el este Tom al lui, c\u00e2nd a v\u0103zut \u201ec\u00e2te ape are \u00een ochi, c\u00e2te g\u00e2nduri are \u00een cap\u201d. S-a uitat la \u00eenregistrare de 20 de ori, a \u0219i salvat-o, poate ne-o arat\u0103 vreodat\u0103.<\/p>\n\n\n\n

\u0218i \u00eenc\u0103 o fraz\u0103 \u0219i le dau pace. Marius Turdean a fost asear\u0103 \u00een sal\u0103 \u0219i la proiec\u021bie, \u00eel vedeam cu coada ochiului, era unul dintre cei mai aten\u021bi spectatori. Nu \u0219i-a dezlipit ochii de imagine. A m\u0103rturisit apoi c\u0103 acum s-a uitat prima dat\u0103 la film, nu se \u021bine vedet\u0103, nu-i place s\u0103 se vad\u0103, prefer\u0103 teatrul, acolo joci \u0219i ai plecat, nu te mai vezi pe nic\u0103ieri. Pe primul r\u00e2nd, la c\u00e2teva scaune distan\u021b\u0103, Nora Iuga!<\/p>\n\n\n\n

Nora Iuga a fost cap de afi\u0219, ieri, la Alba Iulia, de\u0219i nu joac\u0103 \u00een nicio pies\u0103.  Poeta rom\u00e2n\u0103, romancier\u0103 \u0219i traduc\u0103toare din limbile german\u0103 \u0219i suedez\u0103 s-a \u00eent\u00e2lnit, \u00een cadrul festivalului, cu studen\u021bii Universit\u0103\u021bii \u201e1 Decembrie 1918\u201d, i-a fermecat, apoi a venit \u0219i pe la cafeaua cu t\u00e2lc, ne-a fermecat \u0219i pe noi, \u0219i iat\u0103 c\u0103, la pu\u021bin peste 90 de ani, seara a prins-o la filmul lui Florin Piersic jr.<\/p>\n\n\n\n

Tot ieri, la Casa de Cultur\u0103 a Sindicatelor s-a jucat Pe o p\u00e2nz\u0103 de p\u0103ianjen, <\/strong>un spectacol al Cortina AG Bucure\u0219ti, regia Vlad Zamfirescu. Dac\u0103 v\u0103 spun distribu\u021bia, v\u0103 pute\u021bi da seama ce a\u021bi ratat dac\u0103 n-a\u021bi fost: so\u021bul care anun\u021b\u0103 \u00een puterea nop\u021bii c\u0103 el pleac\u0103, de m\u00e2ine, la m\u0103n\u0103stire: Vlad Zamfirescu; so\u021bia care n-a gre\u0219it nimic pe lumea asta, \u00eenafar\u0103 c\u0103 s-a uitat pe sine, sacrific\u00e2ndu-se pe altarul muncii \u0219i al familiei: Medeea Marinescu; prietena ei bun\u0103, absolut spumoas\u0103, care vine s\u0103-i bage min\u021bile \u00een cap drept credinciosului \u0219i, cumva, s\u0103 le salveze c\u0103snicia, asta \u00een timp ce a ei e pe butuci de ceva vreme: Mirela Opri\u0219or; \u00eenc\u0103 so\u021bul acesteia, r\u0103t\u0103citor \u00een bra\u021bele unei cu mult mai tinere colege de munc\u0103: Andi Vasluianu; colega cu pricina, care, dincolo de pricin\u0103 se dovede\u0219te un bun psiholog, de\u0219i ea \u00eens\u0103\u0219i o victim\u0103 a destr\u0103m\u0103rii propriei familii prin plecarea \u00een lume a tat\u0103lui: Diana Roman. Un spectacol care te prinde de la prima secund\u0103, \u0219i la care r\u00e2zi aproape \u00een fiecare secund\u0103, ferm convins fiind c\u0103 e comedie cap-coad\u0103, asta p\u00e2n\u0103 aproape de final, c\u00e2nd piesa schimb\u0103 foaia \u0219i las\u0103 loc dramei. Nu v\u0103 spun ce \u0219i cum, poate prinde\u021bi spectacolul prin alte ora\u0219e.<\/p>\n\n\n\n

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\u0218i dac\u0103 tot am \u00eenceput de la sf\u00e2r\u0219itul programului celei de-a V-a zi de Festival Interna\u021bional de Teatru \u201ePove\u0219ti\u201d, voi \u00eencheia mul\u021bumindu-le pentru frumosul spectacol pentru copii, Alb\u0103 ca Z\u0103pada \u0219i cei \u0219apte pitici<\/strong>, actorilor de la Teatrul pentru Copii \u201eArlechino\u201d Bra\u0219ov. La fel, studen\u021bilor de la Universitatea de Arte din T\u00e2rgu-Mure\u0219, pentru Se(di)ntiment<\/strong>, un spectacol cu \u0219i pentru adolescen\u021bi, spre liber\u0103 exprimare \u0219i corect\u0103 \u00een\u021belegere din partea adul\u021bilor.<\/p>\n\n\n\n

<\/p>\n\n\n\n

*Asta a fost ieri, ce vedem ast\u0103zi?<\/strong><\/p>\n\n\n\n

La 10.00, la Casa de Cultur\u0103 a Studen\u021bilor vedem Micii Vr\u0103jitori, <\/strong>spectacol adus la Alba Iulia de Teatrul de P\u0103pu\u0219i de Stat Varna, Bulgaria. La 11.00, ne mut\u0103m la Teatrul de P\u0103pu\u0219i \u201ePrichindel\u201d, \u00een Sala 67, pentru Iepurele Alb<\/strong>, spectacol al Teatrului de Art\u0103 Bucure\u0219ti. La 12.00, fugu\u021ba la Art Cafe Downtown, la conferin\u021ba de pres\u0103. Dup\u0103, p\u00e2n\u0103 la 17.00, avem liber s\u0103 \u00eentindem rufe \u0219i ce alte preocup\u0103ri gospod\u0103re\u0219ti am mai avea, pentru c\u0103 fix atunci \u00eencepe, tot la Teatrul de P\u0103pu\u0219i \u201ePrichindel\u201d, F\u0103r\u0103 fric\u0103<\/strong>, spectacolul Teatrului \u201eIon Creang\u0103\u201d Bucure\u0219ti. De la 18.00, \u00een acela\u0219i loc, avem parte de o lansare de carte \u2013 Alexandrina Halic \u2013 Actri\u021ba poveste<\/strong>, de Ion Moldovan. Dup\u0103 o rait\u0103 pe la expozi\u021biile UNATC I.L. Caragiale Bucure\u0219ti, din foaierele caselor de cultur\u0103 de la noi, numai bine ne-am relaxat mintea pentru Freak Show vol.2<\/strong>, de la 19.00, la Casa de Cultur\u0103 a Studen\u021bilor, one-man showul lui Florin Piersic jr. \u0218i uite a\u0219a se face 21.30 \u0219i ne ducem la Framm`s, unde c\u00e2nt\u0103 EMAA.<\/p>\n\n\n\n

**Programul pentru m\u00e2ine, 21 mai 2022, ultima zide Festival Interna\u021bional de Teatru \u201ePove\u0219ti\u201d, la Alba Iulia<\/strong><\/p>\n\n\n\n

–ora 11.00<\/strong>\u2013Casa de Cultur\u0103 a Studen\u021bilor \u2013 Imaginaria, <\/strong>prezentare atelier de teatru cu obiecte, coordonatoare: Ana Cr\u0103ciun Lambru. \u201eC\u00e2\u021biva mililitri de imagina\u021bie, un strop de curaj, trei linguri\u0219\u021be de voie bun\u0103 \u0219i dou\u0103 m\u00e2ini curioase sunt ingredientele de care avem nevoie la Imaginaria<\/em> \u2013 unde orice obiect poate prinde via\u021b\u0103. (…)Lumea din jur se transform\u0103, se recompune \u0219i prinde via\u021b\u0103. O perie obi\u0219nuit\u0103 devine arici, un abajur de lamp\u0103 devine o balerin\u0103, o carte devine o pas\u0103re. Prin aceast\u0103 c\u0103l\u0103torie, copiii: – descoper\u0103 lumea ascuns\u0103 din imagina\u021bia lor, unde pot crea \u00een siguran\u021b\u0103 idei noi, personaje \u0219i aventuri; – \u00eenva\u021b\u0103 s\u0103 g\u0103seasc\u0103 o poveste \u00een orice col\u021b al camerei \u0219i \u00een orice lucru; – \u00eenva\u021b\u0103 s\u0103 lucreze \u00een echip\u0103, \u00ee\u0219i dezvolt\u0103 coordonarea, \u00ee\u0219i dezvolt\u0103 sim\u021bul estetic; – g\u0103sesc \u00een ei resurse de creativitate pe care nu b\u0103nuia c\u0103 le au;- \u00ee\u0219i dezvolt\u0103 abilitatea de a g\u00e2ndi creativ \u0219i de a g\u0103si rezolv\u0103ri out of the box la problemele cu care se confrunt\u0103; – \u00ee\u0219i sporesc capacitatea de a antropomorfiza \u0219i de a accepta iluzia obiectelor inanimate \u0219i a literaturii\u201d, transmite coordonatoarea.<\/p>\n\n\n\n

–ora 11.30 <\/strong>\u2013 Foaier Casa de Cultur\u0103 a Sindicatelor \u2013 Aproape poveste, aproape teatru, aproape poezie<\/strong>, cu Simona Epure, prezentare de carte pentru copii, 30 min. \u201eAdept\u0103 a educa\u021biei prin joc \u0219i joac\u0103, autoarea \u00eei conduce pe micii cititori c\u0103tre un scop precis, cel al \u00eenv\u0103\u021b\u0103turii. Nu numai c\u0103 nu se abate niciun pic de la drumul ei, dar faciliteaz\u0103 calea c\u0103tre o \u00eenv\u0103\u021bare u\u0219oar\u0103 \u0219i f\u0103r\u0103 nicio constr\u00e2ngere pentru cei care o urmeaz\u0103, citindu-i poeziile \u0219i pove\u0219tile. (…) Orice carte parcurs\u0103 va fi un c\u00e2\u0219tig. Versurile cu rim\u0103 \u0219i pove\u0219tile \u00een versuri au un farmec aparte, iar sub stratul exploziv de haz, ve\u021bi descoperi duio\u0219ia cu care sunt \u00eenconjurate toate personajele ei. Pe scurt, putem spune c\u0103 textele autoarei sunt aproape poveste, aproape teatru, aproape poezie.\u201d, se arat\u0103 \u00een caietul program.<\/p>\n\n\n\n

–ora 12.00 <\/strong>\u2013 Casa de Cultur\u0103 a Sindicatelor \u2013 Gulliver \u00een \u021aara Liliput,<\/strong> regia Atilla Vizauer, Teatrul de Anima\u021bie \u201e\u021a\u0103nd\u0103ric\u0103\u201d Bucure\u0219ti, spectacol de teatru pentru copii, 4+, 60 min. \u201eUn spectacol clasic \u0219i modern \u00een acela\u0219i timp, o poveste veche dar actual\u0103, imagini bine alc\u0103tuite, p\u0103pu\u0219i construite cu mare migal\u0103 \u0219i animate impecabil, replici la limita dintre pl\u00e2ns \u0219i r\u00e2s sunt elementele de baz\u0103 ale propunerii regizorale. Dup\u0103 un naufragiu, Gulliver Lemuel, c\u0103l\u0103tor, marinar \u0219i doctor, nimere\u0219te pe o insul\u0103 care se nume\u0219te Liliputania \u0219i este populat\u0103 de ni\u0219te fiin\u021be minuscule. \u00cen ciuda m\u0103rimii, liliputanii sunt ambi\u021bio\u0219i, \u021b\u00e2fno\u0219i, trufa\u0219i. Gulliver tr\u0103ie\u0219te un timp cu aceste fiin\u021be, trec\u00e2nd prin c\u00e2teva experien\u021be extraordinare. Caracterul viu al \u00eent\u00e2mpl\u0103rilor povestite favorizeaz\u0103 \u00eentip\u0103rirea \u00een minte a valorilor de baz\u0103, care pot fi astfel u\u0219or \u00een\u021belese, re\u021binute \u0219i redescoperite ulterior \u00een exemple din via\u021ba real\u0103\u201d, transmit organizatorii.<\/p>\n\n\n\n

–ora 12.00<\/strong> \u2013 Art Cafe Downtown \u2013 Cafeneaua cu t\u00e2lc<\/strong> \u2013conferin\u021b\u0103 de pres\u0103.<\/p>\n\n\n\n

–ora 16.00 <\/strong>\u2013 Liceul de Arte \u201eRegina Maria\u201d Alba Iulia, sala festiv\u0103 \u2013 Realitatea mea,<\/strong> prezentarea atelierului de scenografie, coordonatoare: Alina Herescu. \u201eRealitatea mea. <\/em>O perspectiv\u0103 (supra)realist-creativ\u0103, prin ochelarii unui pre\/prea adolescent asupra realit\u0103\u021bii interioare vs realitatea exterioar\u0103. Workshop de integrare \u0219i eliberare prin art\u0103 \u2013 instala\u021bii purtabile<\/em>, din materiale neconven\u021bionale, astfel \u00eenc\u00e2t fiecare pre\/prea adolescent s\u0103-\u0219i poat\u0103 purta, ar\u0103ta, integra bula<\/em>propriei realit\u0103\u021bi, \u00een lume sau Univers\u201d, ne l\u0103mure\u0219te coordonatoarea.<\/p>\n\n\n\n

– ora 16.30<\/strong> \u2013 Casa de Cultur\u0103 a Sindicatelor, Sala oglinzilor \u2013 Trup. Cuv\u00e2nt \u00een mi\u0219care,<\/strong> prezentare atelier de teatru pentru adolescen\u021bi. Coordonator: Ioan Ardelean. \u201eCorpul este un instrument muzical, care poate fi folosit pentru a elabora \u0219i produce sunete \u0219i ritmuri, \u0219i care trebuie s\u0103 poat\u0103 fi capabil s\u0103 se deplaseze con\u0219tient \u0219i controlat pe scen\u0103. Doar prin repeti\u021bie, prin acumulare \u0219i prin calea formativ\u0103 se poate dezvolta propria lume imaginar\u0103. Dup\u0103 care o teatraliz\u0103m prin ac\u021biuni fizice, emo\u021bionale, verbale. Pornind de la lumea imaginar\u0103, juxtapus\u0103 de monologuri, dialoguri \u0219i scene (cu sau f\u0103r\u0103 text) se poate construi o dramaturgie abstract\u0103 \u0219i\/sau concret\u0103, \u00eentr-un mod lizibil, coerent \u0219i credibil.\u201d, spune Ioan Ardelean.<\/p>\n\n\n\n

– ora 17.30<\/strong> \u2013 Teatrul de P\u0103pu\u0219i \u201ePrichindel\u201d \u2013 Pove\u0219ti \u00eensufle\u021bite,<\/strong> prezentare atelier de carte pop-up. Coordonatoare: Alexandra Budianu \u0219i Elena Iorga. \u201eAtelierul se desf\u0103\u0219oar\u0103 \u00eentr-un cadru juc\u0103u\u0219 \u0219i creativ, \u00een care copiii \u0219i \u00eembun\u0103t\u0103\u021besc dexteritatea, expresivitatea, sociabilitatea, creativitatea, g\u00e2ndirea critic\u0103 \u0219i vederea \u00een spa\u021biu. Copiii dezvolt\u0103 o scurt\u0103 poveste personal\u0103 sau o poveste imaginat\u0103, descriu spa\u021biul \u00een care se desf\u0103\u0219oar\u0103 povestea \u0219i o realizeaz\u0103 \u00eentr-o imagine tridimensional\u0103 \u00een tehnica pop-up. \u00cempreun\u0103 cu coordonatoarele atelierului \u0219i cu ajutorul unei foarfece \u0219i a c\u00e2torva foi colorate, vor da via\u021b\u0103 acestor pove\u0219ti\u201d, se arat\u0103 \u00een caietul program.<\/p>\n\n\n\n

– orele 18.00-20.00<\/strong> \u2013 Foaierul Casei de Cultur\u0103 a Sindicatelor \u0219i Foaierul Casei de Cultur\u0103 a Studen\u021bilor \u2013 Expozi\u021bii permanente de costume \u0219i art\u0103 plastic\u0103<\/strong>, realizare de UNATC I. L. Caragiale Bucure\u0219ti, curator \u0219i coordonator : prof. univ. dr. \u0218tefania Cenan.<\/p>\n\n\n\n

– ora 18.00<\/strong> \u2013 Teatrul de P\u0103pu\u0219i \u201ePrichindel\u201d, Sala 67 \u2013 MaRo, <\/strong>regia Andi Gherghe, Yorick Studio T\u00e2rgu Mure\u0219, spectacol de teatru bilingv, 16+, 1h 30 min. \u201ePiesa vorbe\u0219te despre bizareriile rela\u021biilor rom\u00e2no-maghiare prin zece scene u\u0219or absurde. \u00cent\u00e2mpl\u0103rile se petrec \u00een Transilvania, unde se \u00eent\u00e2lne\u0219te m\u00e2ndria etnic\u0103 \u0219i complexul de inferioritate, sentimentele de dominare \u0219i nemul\u021bumirile reale, durerea sincer\u0103 \u0219i umorul, condimentate bine\u00een\u021beles cu multe g\u00e2lcevi \u0219i bruftuieli. MaRo<\/em> e o cascad\u0103 de umor \u0219i r\u00e2s cu lacrimi(…), o prob\u0103 de comedie autentic\u0103\u201d, scrie Iulia Popovici \u00een Adev\u0103rul.<\/p>\n\n\n\n

– ora 20.00<\/strong>\u2013 Casa de Cultur\u0103 a Studen\u021bilor \u2013 ROSTO<\/strong>, regia Alexandru Dabija<\/strong>, Teatrul Act Bucure\u0219ti, spectacol 16+, 1h 20 min. Distribu\u021bie: Marcel Iure\u0219, Dan R\u0103dulescu, Ionu\u021b Toader<\/strong>. \u00cen spectacolul Rosto<\/em>, spiritul ludic al regizorului Alexandru Dabija \u00eent\u00e2lne\u0219te lumea lui Caragiale. Dramatizarea realizat\u0103 de Alexandru Dabija pune \u00een leg\u0103tur\u0103 mai multe fragmente din mai multe schi\u021be ale marelui scriitor \u0219i spune o poveste misterioas\u0103, cu infinite nuan\u021be despre \u00eenv\u0103\u021b\u0103m\u00e2ntul rom\u00e2nesc, oferind o imagine realist\u0103 a societ\u0103\u021bii actuale. \u201eEra Caragiale un reac\u021bionar? Sigur, nu era progresist. Nu era nici a\u0219a, nici alminteri. De aceea, de\u0219i are palm\u0103 grea, \u00eel sim\u021bim de-al nostru \u0219i-l apel\u0103m tandru Nenea Iancu<\/em>. Avea ureche bun\u0103 \u0219i asculta cu aten\u021bie. E r\u00e2ndul nostru s\u0103-l ascult\u0103m\u201d, afirm\u0103 regizorul Alexandru Dabija.<\/p>\n\n\n\n

Veni\u021bi la teatru! Timpul nu-i trecut!<\/p>\n","protected":false},"excerpt":{"rendered":"

\u0218ti\u021bi bancul cu pinguinul care intr\u0103 \u00eentr-un bar \u0219i comand\u0103 whiskey? P\u0103i dac\u0103 n-a\u021bi venit la Tom \u0219i Jerry 2.0, filmul lui Florin Piersic jr, normal c\u0103 nu-l \u0219ti\u021bi pe cel bun! *L-ai sc\u0103pat asear\u0103 pe Piersic? P\u0103cat! Dar \u00eel po\u021bi prinde azi pe junior, \u00een one man show-ul Freak Show vol.2! **Programul pentru m\u00e2ine, …<\/p>\n","protected":false},"author":27,"featured_media":102018,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-102017","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-stiri-urbane"],"yoast_head":"\nS\u0103 vii la Festivalul Interna\u021bional de Teatru \u201ePove\u0219ti\u201d cu un film, asta \u00eenseamn\u0103 s\u0103 fii mafiot! - Revista Urbea Mea - Revista de Alba<\/title>\n<meta name=\"description\" content=\"\u0218ti\u021bi bancul cu pinguinul care intr\u0103 \u00eentr-un bar \u0219i comand\u0103 whiskey? 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