{"id":121155,"date":"2026-01-14T11:27:59","date_gmt":"2026-01-14T09:27:59","guid":{"rendered":"https:\/\/urbeamea.ro\/albaiulia\/?p=121155"},"modified":"2026-01-14T11:28:01","modified_gmt":"2026-01-14T09:28:01","slug":"15-ianuarie-eminescu-muzica-unui-dor-concert-concept-structurat-in-patru-tablouri-tematice-la-depozitul-de-ceramica-veche-din-alba-iulia","status":"publish","type":"post","link":"https:\/\/urbeamea.ro\/albaiulia\/15-ianuarie-eminescu-muzica-unui-dor-concert-concept-structurat-in-patru-tablouri-tematice-la-depozitul-de-ceramica-veche-din-alba-iulia\/","title":{"rendered":"15 ianuarie: \u201eEminescu-Muzica unui dor\u201d: Concert-concept structurat \u00een patru tablouri tematice, la Depozitul de Ceramic\u0103 Veche din Alba Iulia"},"content":{"rendered":"\n

Proiectul \u201eEminescu-Muzica unui dor\u201d, propus de Centrul de Cultur\u0103 \u201eAugustin Bena\u201d Alba, sub egida Consiliului Jude\u021bean, \u00ee\u0219i asum\u0103 ambi\u021bia de a transforma Ziua Culturii Na\u021bionale de la Alba Iulia \u00eentr-o experien\u021b\u0103 coerent\u0103, \u00een care cuv\u00e2ntul eminescian devine ax\u0103 de construc\u021bie artistic\u0103 \u0219i reper de identitate.<\/strong><\/p>\n\n\n\n

Alegerea spa\u021biului de desf\u0103\u0219urare nu este \u00eent\u00e2mpl\u0103toare: Depozitul de Ceramic\u0103 Veche-Alba Iulia propune o scenografie natural\u0103 a memoriei: obiecte, materie, urme ale \u00eendem\u00e2n\u0103rii \u0219i ale timpului.\u00centr-o asemenea ambian\u021b\u0103, Eminescu nu mai apare ca \u201eautor obligatoriu\u201d, ci ca o respira\u021bie fireasc\u0103 a patrimoniului: limba, sensibilitatea, verticalitatea.<\/p>\n\n\n\n

De altfel, \u00eentregul concept al serii mizeaz\u0103 pe o idee simpl\u0103 \u0219i solid\u0103: cultura \u00eenseamn\u0103 \u0219i art\u0103 \u00eenalt\u0103, \u0219i me\u0219te\u0219ug, \u0219i gustul locului, toate articulate cu decen\u021b\u0103 \u0219i m\u0103sur\u0103.<\/p>\n\n\n\n

Programul \u00eencepe la ora 17.00 cu \u201cDin lut, ca din cuv\u00e2nt: Ol\u0103rit traditional\u201d, sub forma unor ateliere interactive pentru copii \u0219i adul\u021bi. \u00cenainte s\u0103 cerem publicului t\u0103cere \u0219i concentrare \u00een sala de concert, \u00eel invit\u0103m s\u0103 intre treptat \u00eentr-o stare de aten\u021bie: prin gest, prin materie, prin forma care se na\u0219te dintr-un centru. Este, \u00een fond, o analogie discret\u0103 cu actul artistic: \u0219i poezia, \u0219i muzica, \u0219i olaritul pornesc dintr-o tensiune \u00eentre libertate \u0219i r\u00e2nduial\u0103.<\/p>\n\n\n\n

La ora 17.30, \u00een foyer, se deschide componenta de \u201cDegustare de terroir-vinuri de Alba\u201d (Casa Negrea), g\u00e2ndit\u0103 explicit ca degustare \u00eenainte de concert, \u00een spa\u021biu dedicat, cu men\u021biunea de consum responsabil (18+). <\/p>\n\n\n\n

\u00cen logica unei cronici de specialitate, merit\u0103 subliniat c\u0103 acest tip de asociere \u00eel \u00eencadreaz\u0103 \u00eentr-o civiliza\u021bie a serii: un preludiu social, un timp de \u00eent\u00e2lnire, apoi reculegerea estetic\u0103 \u00een timpul concertului, urmat\u0103 de un epilog relaxat \u00een foyer.<\/p>\n\n\n\n

Piesa central a serii \u00eencepe la ora 18.00: \u201cEminescu-Muzica unui dor\u201d, concert-concept-dramaturgie \u00een patru tablouri tematice.<\/p>\n\n\n\n

Aceast\u0103 formul\u0103 fixeaz\u0103 o inten\u021bie de regie muzical\u0103: programul este un traseu \u00een care muzica, vocea \u0219i rostirea se sus\u021bin reciproc.<\/p>\n\n\n\n

Dramaturgia este articulat\u0103 \u00een:<\/p>\n\n\n\n

Prologul: \u201cLini\u0219tea \u00eenaintea cuv\u00e2ntului\u201d, a\u0219az\u0103 ascultarea. \u00centr-un concert dedicat lui Eminescu, aceast\u0103 preg\u0103tire este esen\u021bial\u0103: publicul trebuie lini\u0219tit de zgomotul zilei, \u00eenainte ca poezia s\u0103-\u0219i poat\u0103 face loc. <\/p>\n\n\n\n

\u00cen aceast\u0103 zon\u0103 de atmosfer\u0103, selec\u021biile instrumentale de tip cameristic, de la miniaturi lirice la pagini cu respira\u021bie ampl\u0103, sunt cheia. Prezen\u021ba unui repertoriu precum \u201eSalut d\u2019amour\u201d (Elgar), pus \u00een dialog cu un \u201eDansul b\u0103tr\u00e2nesc\u201d (Ciprian Porumbescu), func\u021bioneaz\u0103 exact ca o punte: elegan\u021ba occidental\u0103 \u0219i fibra rom\u00e2neasc\u0103 se \u00eent\u00e2lnesc f\u0103r\u0103 ostenta\u021bie, ca dou\u0103 polite\u021bi care se \u00een\u021beleg din priviri.<\/p>\n\n\n\n

\ud835\udc13\ud835\udc1a\ud835\udc1b\ud835\udc25\ud835\udc28\ud835\udc2e\ud835\udc25 \ud835\udc08: \u201cLuceaf\u0103rul: cosmos \u0219i destin\u201c, \u00ee\u0219i g\u0103se\u0219te o coresponden\u021b\u0103 natural\u0103 \u00een muzica de respira\u021bie mare \u0219i \u00een registrul \u00eenalt al emo\u021biei. <\/p>\n\n\n\n

Aici, un moment precum aria \u201eEbben, ne\u2019and\u00f2 lontana\u201d din La Wally (Alfredo Catalani) devine un arc interior, o distan\u021b\u0103, o decizie, o singur\u0103tate cu demnitate, perfect compatibil\u0103 cu ideea eminescian\u0103 de destin \u0219i de imposibilitate a \u00eemp\u0103c\u0103rii dintre absolut \u0219i uman.<\/p>\n\n\n\n

Tot \u00een acest tablou, o lucrare precum o \u201eBalad\u0103\u201d (de Enescu \u0219i apoi de Porumbescu) \u00ee\u0219i poate asuma rolul de \u201ecoloan\u0103 de lumin\u0103\u201d: linie cantabil\u0103, gravitate, acel tip de lirism care nu cere aplauze, ci aten\u021bie.<\/p>\n\n\n\n

\ud835\udc13\ud835\udc1a\ud835\udc1b\ud835\udc25\ud835\udc28\ud835\udc2e\ud835\udc25 \ud835\udc08\ud835\udc08: \u201cFloare albastr\u0103: erosul, nostalgia\u201d, cere rafinament de frazare \u0219i o melancolie lucid\u0103. Aici intr\u0103 organic roman\u021ba \u201eMai am un singur dor\u201d (muzica Guilelm \u0218orban, versuri Mihai Eminescu), o pies\u0103 emblematic\u0103, aproape inevitabil\u0103, dar cu at\u00e2t mai responsabil\u0103 artistic.<\/p>\n\n\n\n

\u00cen aceea\u0219i zon\u0103 de lirism, \u201eLa serenada\u201d (Francesco Paolo Tosti) aduce acel parfum de can\u021bonet\u0103 care nu trivializeaz\u0103 serata, ci \u00eei ofer\u0103 respira\u021bie \u0219i gra\u021bie.<\/p>\n\n\n\n

Practic, Tosti este \u201e\u00eengerul polite\u021bii muzicale\u201d \u00eentr-o sear\u0103 care altfel ar risca s\u0103 fie prea grav\u0103, iar asta e un merit, nu o sl\u0103biciune.<\/p>\n\n\n\n

\ud835\udc13\ud835\udc1a\ud835\udc1b\ud835\udc25\ud835\udc28\ud835\udc2e\ud835\udc25 \ud835\udc08\ud835\udc08\ud835\udc08: \u201eCodru \u0219i \u021bara: Rom\u00e2nia interioar\u0103\u201d, este locul \u00een care cultura na\u021bional\u0103 se simte, nu se declam\u0103. Aici, o suit\u0103 precum \u201eDansurile Rom\u00e2ne\u0219ti\u201d de B\u00e9la Bart\u00f3k este o alegere excelent\u0103 pentru c\u0103 \u00eel arat\u0103 folclorul transfigurat, trecut printr-un filtru de art\u0103, cu respect fa\u021b\u0103 de materialul originar.\u00cen acela\u0219i spirit se a\u0219az\u0103 o \u201eSuit\u0103 Rom\u00e2neasc\u0103\u201d, segment de consisten\u021b\u0103, care poate func\u021biona ca miez instrumental al serii, iar l\u00e2ng\u0103 ea, o miniatur\u0103 precum \u201eValsa \u2013 Un pesc\u0103ru\u0219\u201d de Boulanger introduce o delicate\u021be de salon cu fine\u021be poetic\u0103.<\/p>\n\n\n\n

\u00cen acest tablou, vocile cap\u0103t\u0103 un rol de identitate: \u201eOchiul t\u0103u iubit\u201d (Eugen Doga, versuri Eminescu) este un exemplu de c\u00e2ntec care poate emo\u021biona f\u0103r\u0103 s\u0103 cad\u0103 \u00een dulceg\u0103rie, iar \u201ePas\u0103re cu pene albastre\u201d (Eugen Doga, versuri Veronica Micle) ofer\u0103 un contrapunct afectiv de mare valoare: Eminescu \u00een contextul s\u0103u afectiv \u0219i cultural, cu ecouri \u0219i r\u0103spunsuri.<\/p>\n\n\n\n

\ud835\udc13\ud835\udc1a\ud835\udc1b\ud835\udc25\ud835\udc28\ud835\udc2e\ud835\udc25 \ud835\udc08\ud835\udc15: \u201eSara pe deal-trecerea\u201d, este \u00een mod firesc, zona de nocturn\u0103, de respira\u021bie, de timp care curge. O pies\u0103 precum \u201eMuzica\u201d din opereta Valurile Dun\u0103rii (George Grigoriu) poate func\u021biona ca moment de lirism popular rafinat, oferind o ie\u0219ire bl\u00e2nd\u0103 din densitatea poetic\u0103.<\/p>\n\n\n\n

\ud835\udc05\ud835\udc22\ud835\udc27\ud835\udc1a\ud835\udc25\ud835\udc2e\ud835\udc25: \u201eLimba rom\u00e2n\u0103-patrimoniu viu\u201d, o concluzie potrivit\u0103 pentru Ziua Culturii Na\u021bionale: limba ca infrastructur\u0103 a demnit\u0103\u021bii. <\/p>\n\n\n\n

\u00centr-un asemenea proiect, cheia reu\u0219itei st\u0103 \u00een calitatea interpre\u021bilor \u0219i \u00een echilibrul \u00eentre discurs \u0219i muzic\u0103. Evenimentul propune o echip\u0103 cu profil cameristic clar: \ud835\udc03\ud835\udc1a\ud835\udc27-\ud835\udc0b\ud835\udc22\ud835\udc2f\ud835\udc22\ud835\udc2e \ud835\udc02\ud835\udc1e\ud835\udc2b\ud835\udc27\ud835\udc1a\ud835\udc2d (vioar\u0103), M\u0103d\u0103lin Danciu (vioar\u0103), M\u0103d\u0103lina Gherman-Neag(viol\u0103), C\u0103t\u0103lina Tincu(violoncel), nucleu de coarde care poate sus\u021bine at\u00e2t lirismul, c\u00e2t \u0219i densitatea timbral\u0103, al\u0103turi de Andrei Dragomir (pian).<\/p>\n\n\n\n

Prezen\u021ba vocal\u0103 este asigurat\u0103 de Georgeta Plut\u0103 (sopran\u0103), iar componenta de rostire, indispensabil\u0103 unui concert dedicat lui Eminescu, revine Andreei Bogdan (narator). \u00cen aceast\u0103 distribu\u021bie, vocea reprezint\u0103 o punte \u00eentre text \u0219i muzic\u0103, \u00eentre ideea de poezie \u0219i realitatea emo\u021biei.<\/p>\n\n\n\n

\ud835\udc04\ud835\udc29\ud835\udc22\ud835\udc25\ud835\udc28\ud835\udc20 \ud835\udc2c\ud835\udc28\ud835\udc1c\ud835\udc22\ud835\udc1a\ud835\udc25: \ud835\udc2d\ud835\udc28\ud835\udc1a\ud835\udc2c\ud835\udc2d \ud835\udc1c\ud835\udc2e\ud835\udc25\ud835\udc2d\ud835\udc2e\ud835\udc2b\ud835\udc1a\ud835\udc25 dup\u0103 \ud835\udc1c\ud835\udc28\ud835\udc27\ud835\udc1c\ud835\udc1e\ud835\udc2b\ud835\udc2d\ud835\udc1c\ud835\udc28\ud835\udc27\ud835\udc1c\ud835\udc1e\ud835\udc2b\ud835\udc2d<\/p>\n\n\n\n

La ora 19.15, proiectul continu\u0103 cu \u201e\ud835\udc00\ud835\udc1f\ud835\udc2d\ud835\udc1e\ud835\udc2b-\ud835\udc1c\ud835\udc28\ud835\udc27\ud835\udc1c\ud835\udc1e\ud835\udc2b\ud835\udc2d: \ud835\udc2d\ud835\udc28\ud835\udc1a\ud835\udc2c\ud835\udc2d \ud835\udc1c\ud835\udc2e\ud835\udc25\ud835\udc2d\ud835\udc2e\ud835\udc2b\ud835\udc1a\ud835\udc25\u201d (degustare de vinuri dup\u0103 concert \u2013 Casa Negrea), p\u0103str\u00e2nd aceea\u0219i not\u0103 de civiliza\u021bie \u0219i elegan\u021b\u0103: \u00eent\u00e2i ascultarea, apoi dialogul. Pentru comunitate, astfel de finaluri sunt deosebit de importante, ele creeaz\u0103 acea \u201ememorie de eveniment\u201d care fidelizeaz\u0103 publicul \u0219i transform\u0103 cultura \u00een obicei, nu \u00een excep\u021bie.<\/p>\n\n\n\n

\ud835\udc04\ud835\udc26\ud835\udc22\ud835\udc27\ud835\udc1e\ud835\udc2c\ud835\udc1c\ud835\udc2e \u2013 \ud835\udc0c\ud835\udc2e\ud835\udc33\ud835\udc22\ud835\udc1c\ud835\udc1a \ud835\udc2e\ud835\udc27\ud835\udc2e\ud835\udc22 \ud835\udc1d\ud835\udc28\ud835\udc2b\u201d propune m\u0103sur\u0103, construc\u021bie \u0219i unitate de stil. Integrarea atelierului de ol\u0103rit \u0219i a degust\u0103rii de vinuri locale este o extensie a ideii de patrimoniu: cultura ca practic\u0103 vie, \u00een cuv\u00e2nt, \u00een sunet, \u00een me\u0219te\u0219ug, \u00een gustul locului.<\/p>\n\n\n\n

\ud835\udc00\ud835\udc1c\ud835\udc1c\ud835\udc1e\ud835\udc2c\ud835\udc2e\ud835\udc25 \ud835\udc1e\ud835\udc2c\ud835\udc2d\ud835\udc1e \ud835\udc25\ud835\udc22\ud835\udc1b\ud835\udc1e\ud835\udc2b, \u00een \ud835\udc25\ud835\udc22\ud835\udc26\ud835\udc22\ud835\udc2d\ud835\udc1a \ud835\udc25\ud835\udc28\ud835\udc1c\ud835\udc2e\ud835\udc2b\ud835\udc22\ud835\udc25\ud835\udc28\ud835\udc2b \ud835\udc1d\ud835\udc22\ud835\udc2c\ud835\udc29\ud835\udc28\ud835\udc27\ud835\udc22\ud835\udc1b\ud835\udc22\ud835\udc25\ud835\udc1e, iar afi\u0219ul include \ud835\udc1c\ud835\udc28\ud835\udc1d \ud835\udc10\ud835\udc11 \ud835\udc29\ud835\udc1e\ud835\udc27\ud835\udc2d\ud835\udc2b\ud835\udc2e \ud835\udc25\ud835\udc28\ud835\udc1c\ud835\udc1a\ud835\udc25\ud835\udc22\ud835\udc33\ud835\udc1a\ud835\udc2b\ud835\udc1e: DEPOZITUL DE CERAMIC\u0102 VECHE din Cetatea Alba Carolina.<\/p>\n\n\n\n

\"\"<\/figure>\n\n\n\n

<\/p>\n","protected":false},"excerpt":{"rendered":"

Proiectul \u201eEminescu-Muzica unui dor\u201d, propus de Centrul de Cultur\u0103 \u201eAugustin Bena\u201d Alba, sub egida Consiliului Jude\u021bean, \u00ee\u0219i asum\u0103 ambi\u021bia de a transforma Ziua Culturii Na\u021bionale de la Alba Iulia \u00eentr-o experien\u021b\u0103 coerent\u0103, \u00een care cuv\u00e2ntul eminescian devine ax\u0103 de construc\u021bie artistic\u0103 \u0219i reper de identitate. Alegerea spa\u021biului de desf\u0103\u0219urare nu este \u00eent\u00e2mpl\u0103toare: Depozitul de Ceramic\u0103 …<\/p>\n","protected":false},"author":28,"featured_media":121156,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"inline_featured_image":false,"footnotes":""},"categories":[23926,2038,2039,4,2036,16567,2034,1,16344],"tags":[25512,25511],"class_list":["post-121155","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-actualitate","category-cultura","category-educatie","category-eveniment","category-monden","category-muzica","category-social","category-stiri-urbane","category-urbea-mea","tag-depozitul-de-ceramica-veche","tag-ziua-culturii-nationale-3"],"yoast_head":"\n15 ianuarie: \u201eEminescu-Muzica unui dor\u201d: Concert-concept structurat \u00een patru tablouri tematice, la Depozitul de Ceramic\u0103 Veche din Alba Iulia - Revista Urbea Mea - Revista de Alba<\/title>\n<meta name=\"description\" content=\"Proiectul \u201eEminescu-Muzica unui dor\u201d, propus de Centrul de Cultur\u0103 \u201eAugustin Bena\u201d Alba, sub egida Consiliului Jude\u021bean, \u00ee\u0219i asum\u0103 ambi\u021bia de a transforma\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/urbeamea.ro\/albaiulia\/15-ianuarie-eminescu-muzica-unui-dor-concert-concept-structurat-in-patru-tablouri-tematice-la-depozitul-de-ceramica-veche-din-alba-iulia\/\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:title\" content=\"15 ianuarie: \u201eEminescu-Muzica unui dor\u201d: Concert-concept structurat \u00een patru tablouri tematice, la Depozitul de Ceramic\u0103 Veche din Alba Iulia - 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